Lydia Loveless

Want to be in a Lydia Loveless song? It's easy: sit next to her at dinner. Well, don't sit at her table, because she might not listening to you. Instead, she's listening to the tables next to her for a line or two that she can put in a song. "It's a bad habit. I'm always eavesdropping on people. If I'm out to dinner, I'm always listening to the other tables and not paying attention to mine. I'm not even doing it consciously. But I get some great song ideas from those conversations," Loveless told me.

Loveless's songwriting process involves a few rituals. She journals every day, and she's been doing it ever since she was a young child, even though her first journal was nothing but lower case e's because that was the only letter she could write. Now that Loveless is an adult, there's one part of her process that cannot waver: she must use a Pilot Precise Extra Fine Pen with black ink. Any other pen "ruins the process," she said. 

Read More
Dallas Green, City and Colour

Many people believe that words flow effortlessly from the pens of great writers. These writers, people think, can just sit down and churn out page after page of prose, poetry, or whatever it is they are writing. But this is fantasy. Good writing is hard. Heck, if it were easy, the world would be filled with great writers.

For most of us, writing can be a struggle. Dallas Green, who writes and records under the name City and Colour, told me that since his last album If I Should Go Before You in 2015he's only written a handful of songs, an unusually low number for him. Green is, by his own admission, a slow writer anyway, due to partly to fear. "I've always had this fear that I'm so scared to write the wrong thing down, even though the only way to get to the right thing is to first write the wrong thing down.  And it's a real problem because I keep everything up in my head until I feel like I've got it. It's almost like I'm afraid to force it, so I never force it. That really slows my process," he told me when we talked. But while he thinks often about why the words have been slow in coming, I didn't get the sense that he's too concerned. He recently took two months off from music, and while he imagined that he'd writing something during that time, he didn't. "I'm comfortable not feeling the need to get in the studio," he said. 

Read More
M.C. Taylor, Hiss Golden Messenger

M.C. Taylor will tell you that he's not a narrative songwriter. There may be a story behind the songs, but they don't really tell a story. And even if they did, he wouldn't tell you what those songs are about because that's not his duty as a writer. Taylor would never dare tell you what meaning you're supposed to glean from his lyrics. "Part of my mission with Hiss has been to make emotionally complex music, where you play it for someone and they can't quite tell whether it's happy or sad. That's the core of my music: using it as a mirror for what my life feels like, because my life is both happy and sad, usually at the same time. My songs are about whatever you want them to be about. You have your idea and I have mine, and I would never disabuse anyone of their notion." he told me.

Read More