Posts in Electro Indie
Yukimi Nagano, Little Dragon

Yukimi Nagano of Little Dragon is a book hoarder at her local library in Sweden. She browses the stacks across all subjects, from photography to poetry to flowers. Then she walks out with as many books as she can carry. When she gets home, she peruses those books for both words and images. Sometimes the words make their way into her songs, and other times the images give her ideas to spin off of. "It could be a book about flowers, for example, and I might find a beautiful name for a flower that could be a song title," Nagano told me. And when she gets home, she does most of her writing in the kitchen. There's something about the "nice, soothing hum" of her refrigerator that's conducive to her creativity. 

For today's interview, I have a companion. Last November I interviewed Theresa Wayman from Warpaint. It remains one of my favorite interviews. I recently read that Wayman was a big fan of Little Dragon, so I asked her if she wanted to interview Nagano with me. She gave me an enthusiastic yes, and somehow we made this happen: I was in New York, Wayman was in Rhode Island, and Nagano was in Sweden.  We had a fantastic discussion about the creative process.

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Dan Deacon

Dan Deacon is best known for his work as an electronic musician and, more recently, even as a classical composer. He's received tremendous (and well-deserved) critical acclaim for the novelty of the sounds in his electronic music, not to mention his live shows. His new album, Gliss Riffer is the first of his releases to feature vocal tracks, to see his voice as an instrument to ply just like all the myriad instruments we hear on his albums.

As you'll read, my interview with Deacon was not about the specifics of the writer's routine, as many of my interviews are. Deacon sees himself as an artist in the true sense of someone who creates art; he's much more than just a songwriter. So this conversation is more about the amorphous idea of creativity. More specifically, it's about Deacon's frustration with not having enough time to create. As his popularity increases, so do the demands of his career: the interviews, the meetings, the emails. Even the live shows. When he's touring for an album, he's not able create new art. And that means less time to create, which frustrates him.

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Jona Bechtolt and Claire Evans, YACHT

You'd be selling YACHT short if you just called them a band.  Sure, Jona Bechtolt and Claire Evans make music that has been praised by many, including Pitchfork, Rolling Stone, and the New York Times.  But they are, in their words, "a belief system," and the two spend a lot of time on the visual aspect of the band as well: the shirts, the logos, the web design, the videos.  So when you think of YACHT, don't just think of two people who make music, think of two artists.  And when you read about their creative process below, it's easy to do.  Their new album, Shangri-La, is out June 21 on DFA Records. Listen to "Dystopia (The Earth is on Fire)" from the album:

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John O'Regan (Diamond Rings)

Sure, when you first see the face of John O'Regan, aka Diamond Rings, you might notice all that colorful makeup across his face.  And you might notice the shiny lips as well.  And you might call him "glam" and not pay attention to much else.

But I think you'd be missing the point.

Because, you see, this is about a lot more than a guy wearing makeup.  It's about theatre, and while Diamond Rings is, in his words, "fastidious" in his songwriting process, he also likes to engage his audience in the visual aspect of his craft.  After all, he's been an illustrator for longer than he's been a songwriter.  It's a creative outlet that, as you'll read, informs his songwriting process. For one, the way he approaches the subject of a painting resembles the way he approaches the topic of a song.  But what's interesting is that he has no idea what a song is going to be about until he picks up a guitar and starts playing.  He's not one to approach songwriting with a ready-made idea.

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