Posts in Country
Jim Lauderdale

Jim Lauderdale has been called a "songwriter's songwriter," and for good reason: he's written songs for artists like George Strait, The Dixie Chicks, Elvis Costello, Blake Shelton, Patty Loveless, Vince Gill, and Gary Allan. He's released 28 studio albums since 1986, with a new one out this spring called London Southern. He's won two Grammy Awards. He's also the host of the fantastic "Buddy and Jim" show on Sirius/XM Radio. In short, Lauderdale is enormously respected in the country, bluegrass, and Americana music genres.

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Allison Moorer

Everyone offering career advice seems to want to steer people away from the humanities. Don't be an English major, they say. You won't make any money.  Singer/songwriter Allison Moorer has fortunately dispensed with this silly bit of advice: she's finishing her first semester at The New School in Chelsea, where she's getting her MFA in creative non-fiction. As someone with a Ph.D. in English Language and Literature, I fully support her new career path.

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Ray Wylie Hubbard

I know no better demonstration of the link between reading and songwriting than the advice Ray Wylie Hubbard gives songwriters: "Don't just listen to 'The Ghost of Tom Joad.' Read The Grapes of Wrath. That’s a classic song, but Springsteen wouldn't have written it if he hadn’t read Steinbeck."  Of course, Steinbeck is probably a beach read for Hubbard. His staples are writers like Baudelaire, Verlaine, and Rimbaud. And before he goes to bed each night, he'll often pull down Dante's Divine Comedy from the bookshelf to see how that text might inspire his songwriting. 

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Ashley Monroe

Ashley Monroe has been writing songs since she was a young kid, which means she's been carrying around that bucket for a loooong time. This bucket is her "idea bucket."  By her own admission, Monroe is never not a songwriter. She's always thinking about songs, so whenever she goes out (much to the chagrin of her husband), she's always attuned to her environment, its sights and sounds, for song ideas. And that's why she has her "idea bucket." She carries it everywhere she goes, and in that bucket go the song ideas that she gets by being hypersensitive to everything around her. 

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Ray Benson, Asleep at the Wheel

Ray Benson is best known as the co-founder of the country music band Asleep at the Wheel. The band, founded in 1969, has won nine Grammy Awards. Asleep at the Wheel is a contemporary torchbearer for the subgenre of country music known as Western swing, a more danceable kind of country music that originated in the 1920s.

But the 63 year-old Benson has a solo release out now calledA Little Piece, only his second solo album. It represents a departure from his Asleep at the Wheel material; it's more personal and was written from a much darker place, according to Benson. I saw Benson play an in-store at Waterloo Records in Austin a couple of months ago, where he showcased his new material backed by the excellent band Milkdrive. I had never seen Benson before, and his performance was fantastic.  He's a great storyteller and performer whose baritone serves as the ideal complement to his new material.

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Ryan Bingham

Before talking to Ryan Bingham, I watched some of his videos on his YouTube channel. Several of the commenters pointed out that his singing voice sounds nothing like his speaking voice.  And it's true.  I couldn't help but think about this when he talked about songwriting as a form of therapy for him, a way for him to get things off his chest. When he pointed out that the lyrics sometimes emerge from his subconscious, that singing/speaking voice dichotomy made sense: perhaps that singing voice is different because it represents something deep inside, a window unto his emotional state. 

Bingham calls writing "a very personal act" for him.  He's protective of the space he creates to write, both emotionally and physically. His best lyrics come out all at once, because a song that takes too long loses the original, raw emotion.  And his writing is cyclical: he soaks in his environment on the road and almost never writes there.  Once he's home, he writes about those experiences in a short, powerful burst, "venting and getting those feelings off [his] chest." Once those songs and feelings are out, he stops, and he feels not one once of guilt for not writing for the next few months while he gathers those experiences on the road again. 

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Chris Shiflett, Foo Fighters

Chris Shiflett doesn't get to write as the guitarist in his other band, so his side project Chris Shiflett and the Dead Peasants allows him to showcase his songwriting and love of honky tonk. It's a good thing, because Shiflett knows what it takes to be a good writer: he writes every day, and he reads every day. He knows that you can't improve as a writer unless you practice, and you won't be a good writer unless you know what good writing looks like. "You write all the time so that even if you write shitty songs, you'll be in good shape when the good ones come along," he told me. 

Now that Shiflett has a family (three young sons), he doesn't have much free time, driving the kids to school and taking them to afternoon sports practices.  So to maintain his skill as a writer (not just a songwriter), he often gets up at 5am before the kids are awake and writes.  As for the reading, Shiflett has dedicated his remaining free time to immersing himself in the classics, having recently torn through F. Scott Fitzgerald's catalog. I came away from our conversation impressed with his dedication to the craft: Shiflett is a tireless student of the writing process.

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Sara Watkins, Nickel Creek

Much of Sara Watkins' songwriting process involves not writing songs. Her routine is filled with creative exercises that don't produce lyrics but still make her a better songwriter. Some of these exercises are, in her words, "silly and pointless," like when she creates Christmas cards or arts and crafts projects.  Sometimes she sketches.  Other times, her song lyrics start as long journal entries, and it's not until the last line of the entry that she hits on a lyric or the focus of the song. 

All these activities make her a better songwriter because they strengthen the creative side of her brain.  This idea holds true for most of the songwriters I've interviewed for this site: the most prolific, by far, are those who engage in other creative outlets or who read voraciously. By contrast, the worldview of a one-dimensional artist is pretty limited.  I was intrigued by one exercise Watkins gives herself that has nothing to do with songwriting: she takes a few items lying around the house (maybe a piece of paper, a bobby pin, and a rubber band) and creates something with it. The fewer items she uses, the better the product. 

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Heather McEntire, Mount Moriah

I've interviewed close to 150 songwriters for this site, but no one has a songwriting approach quite like Heather McEntire of Mount Moriah. Once McEntire has a song topic, she researches it. That's right.  She researches.  Whereas many songwriters rely on the inspiration of the muse, her approach is methodical and deliberative; in fact, she says that when she sits down to write, it's almost akin to a college professor's office hours.

McEntire was a creative writing major in college, something that informs her songwriting process. Once she has an idea for a song, she reads as much as she can about the topic, because, well, she likes to learn. But if you read her lyrics and recognize the depth of her imagery and even her attention to geographical detail, none of this is surprising.  And I haven't even mentioned her voice yet, one of my favorites in music today. (Full disclosure: I reviewed the latest Mount Moriah album Miracle Temple on Merge Records in the Washington Post a few months ago.)

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Hayes Carll (2013)

Hayes Carll was a writer before he was ever a songwriter. In fact, before he even knew how to play the guitar, he loved to write.  True story: his favorite part of junior high and high school was when his teacher told the students to freewrite for 20 minutes.  Let that sink in for a minute.  He loved to be told to write. And Carll's goal was not just to write a great story in those 20 minutes; instead, he wanted to write more pages than any of his classmates. He still has those junior high and high school writing journals, even mining them for ideas on occasion. 

With that history, it's no wonder he's been called one of the best storytellers in the singer/songwriter and country western world today. If you're a fan of Carll, you'll obviously love this interview.  But if you're not too familiar with his music and just happen to be a songwriter, you'll still love it.  Just as Carll explains that he's a fan of this site because he wants to learn about the creative processes of other songwriters, you'll find this interview to be its own lesson in songwriting.

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Lissie

Are you in the market for a  great songwriter who doubles as a fantastic cleaning lady?  If you need someone who can clean your cabinets and pen a mean chorus, look no further than Lissie.  You see, Lissie likes organization.  She needs things to be clean and orderly in the space around her.  For example, she likes to put things in pouches.  Then she puts those pouches inside other pouches.  

The irony in all of this obsession with order is that her writing process is anything but organized.  Lissie is all about the stream of consciousness process, where she just lets everything flow out in one giant mess that she organizes later.  For thirty minutes, she'll just write, with little regard for how it looks or what's coming out.  For someone who insists on the proper placement of the salt and pepper shaker at the dinner table, this can be surprising. 

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